List of Works

                     Click on the image to view the detailed project page.              

Paper Culture Series — Chapter III

REBOUND

(Garments, Hats & Brooches)

This collection draws inspiration from Xiguchen (惜古衬), a traditional Chinese book conservation technique also known as Paotaozhuang (袍套装). It uses protective paper linings to support book pages, evoking the image of dressing a book in robes.

Reversing this metaphor—from “dressing books” to “books becoming clothing”—the collection translates the tradition’s emphasis on preservation and longevity into contemporary menswear.

Inspired by the round-collared robes of the Ming dynasty, the designs reinterpret their layering, side slits and shoulder fastenings to create new silhouettes. Offset seams, fragmented edges and displaced structures evoke pages, memories and identities shifting, migrating and being reassembled over time.

Rather than concealing damage, the collection embraces absence and fragmentation as traces of time. Here, repair is not a return to an original state, but the creation of a new wholeness that acknowledges loss and allows the old and the new to coexist.

Brooches




Paper Culture Series — Chapter II

Paper Born

Wearable Art,Garment, Ring

Paper Culture Series — Chapter II

Paperborn originates in Anhui Province, China and follows the Eastern papermaking logic oftransformation, cultivation, and formation.
It translates the shifting states of fibre—through dispersion, sedimentation, and shaping—into a wearable language of process across garments and jewellery.
Within this sequence, formation is not forced into completion,but gradually revealed through an attentive response to material nature.
Identity, likewise, is not predefined,but nurtured through continuous becoming rather than fixed by definition.
LOOK 1 - Sourcing

LOOK 2 - Dissolving
LOOK 3 - Gathering
LOOK 4 - Settling
LOOK 5 - Becoming
EARRINGS



Paper Culture Series — Chapter I

Threaded Identities


Wearable Art,Garment, Ring

Six looks, six chapters—
blending the structural poetics of Chinese aesthetics with narrative expression,
exploring the boundaries and reconstruction of identity through paper.

When identity turns intangible, paper outlines its boundary.
When life scatters into fragments, shadows of identity become pages.
When experience drifts across cultures, it is stitched into garments,
forming a tactile, healing, wearable language of books.

Pick a page, wear a story, leave a trace.


LOOK 1 -
Duality of Self Book


LOOK 2 -
Drifting Diary
LOOK 3 -
Private Letter
LOOK 4 -
Unfinished Manuscript
LOOK 5 -
Encyclopedia Book
LOOK 6 -
Virtual Echo
RINGS



I’m from Anhui, a place where paper has always felt close to the body.
Fragile, yet resilient.
It carries, it gathers, it remembers.

Paper feels like people—
folded by time, softened by experience,
constantly stretching and reshaping between the folds of culture and memory.
Just like identity—never fixed, always becoming.

Threaded Identities presents six looks,
six wearable “books.”
In each piece, I merge papermaking heritage and bookbinding language
into the structure and textures of clothing—
allowing every fold, seam, and unfolding
to become an act of rewriting the self.

This series is for anyone still growing, shifting,
and learning to stay soft in a world that keeps changing—
for those who choose sincerity even as life reshapes them.

The resilience of paper is our resilience.
It holds the quiet restraint of Chinese aesthetics,

and the quiet force of something breaking through the soil,
reaching for light.








Click on the image to view the detailed project page.
THE FOLD OF AWAKENING
2025
Digital Storytelling
5 min 20 sec



001DUALITY OF SELF BOOK
2024
Handmade Paper,  Silk,   Fabric,  Recyclable Materials

Hat Diameter (45cm, Height: 12cm)
Shoulder Armor (40x25x23cm)
Shirt Dress (Unisex design, adjustable length)
Handmade Book & Hat Stand (40x40x35cm)

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PAPER PRACTICE
PAPER PRACTICE




002
HUGS
2022
Self-made paper,  Silk,  3D resin
106 x 76 × 66cm


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PAPER PRACTICE(HUGS)
PAPER PRACTICE(HUGS)
HUPaper


003SHAN HAI
2022
Leather,  Acrylic,  Silver

Large Necklace(95×55×10cm)
Small Necklace(90×15×10cm)
Chest Ornament(56×57×20cm)
Headpiece 1(18×19×10cm、10×11×7cm、16×21×81cm)
Headpiece 2(10×10×12cm)
Earrings(20×20×5cm)
Brooch(3×3×30cm(adjustable))

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004GOLDEN SOLSTICE
2023
Self-made paper,  Silk,  3D resin
106 x 76 × 66cm


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005ASK SPINE
2021
Organza, Silver,  Thermochromic ink
Dimensions variable

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006DUM DUM PUNK
2021
Cooperative project
Jewelry design:  Fan Pan
Technical support: Kaiqi Jiang


Silver,  Fluorescent paint

Thumb(2.5x1.7x2.2cm)
Index finger(3.5x1.7x1.8cm)
Middle finger(3.5x1.5x1.8cm)
Ring finger(2.0x1.2x1.7cm)
Little finger(2.5x1.0x1.7cm)
Ring(2.3x1.7x2.0cm)

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007WHALE FALL
2021
Mixed Media

Left arm sleeve     (length 80cm, cuff circumference 23cm)
Right arm sleeve  (length 70cm, cuff circumference 23cm)

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008INTERACTIVE RING
2021
Tea crystal, Zebra stone,  Silver
9x7x1cm


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009
PARALLEL SPACE-TIME
 2021
Acrylic,  Silver,  Green ghost,  Artificial agate
12x3.5x(10~20)cm


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010
CAREFREE
2020
Silver wire,  Copper wire
Dimensions variable


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011GROWTH
2021
Silver,Stone
15cm


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012
LEAF
2020
Silver,  Red Copper,  Brass
90cm


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